Exhibitions on view in the Harland Snodgrass Gallery

A rotating series of exhibitions are on view in the TSI Harland Snodgrass Gallery in Harder Hall throughout the semester. Time Space Interface (TSI) Harland Snodgrass Gallery is located in the lobby level of Harder Hall on the Alfred University campus. Harland Snodgrass was founder of the Media Program in the School of Art and Design and was an original faculty member of the School’s Foundations Program. He served as professor of painting and video arts from 1969-85.

"Clam Jam", on view September 1 - 11, was an Exhibition entitled by second year Graduate Student in Electronic Integrated Arts Sarah Turner.

Clam Jam is a multi channel // multi portal video installation piece to invite viewers to scry new visions from the internet. Part performative ritual, part divination, Clam Jam puts on a psycho-spiritual immersive cam show. New mythologies growing out of each other // referential meme language and symbolism used as spell casting to manifest love & security.

Sarah Turner is a new media and video artist who creates large scale immersive environments and performances through analog media and creative coding. She engages in ritual and contemporary mythologies to augment reality through performative psycho spiritual activations. Turner is the Co-Founder of Mobile Projection Unit, which creates site specific installations around the Pacific Northwest & New York through outdoor projection mapping. Her work has been shown at Portland Art Museum, Portland Institute for Contemporary Art’s TBA Festival, Portland International Film Festival, Northwest Film Center, Athens Digital Art Festival, Wieden & Kennedy, Spaceness Festival, Marfa Open Festival, Laboratory Residency and more. She is currently an MFA Candidate at Alfred University in Electronic Integrated Art.

www.sarahsarahturnerturner.com
IG: @sarahsarahturnerturner

"Glitch Dolls", on view September 13 - 24, is a multi-channel video installation piece exploring the intersection of digital fashion and glitch processing techniques. I was inspired to create this series from my love for collecting vintage Ken Dolls. I wanted to play with modeling the dolls and their clothing, taking textures I created using different glitch processes. To create the textiles, I used digital and analog glitch methods including: analog video feedback, datamoshing, sonification, and creative coding. The dolls and their clothing are meant to evoke fantasy and the potential of digital fashion.

Micah Alhadeff is a 3D and glitch artist who explores the anatomy and “DNA” of digital representations of the body using glitch processing techniques. He uses 3D programming combined with augmented reality and virtual reality as both the tool and subject of these investigations. Alhadeff has shown his work at Colorado State University and Front Range Community College, and he has presented his scholarly investigations about clothing and queerness at the Denver Art Museum. Micah exhibits and sells NFTs of his work on OBJKT.com, a cryptocurrency art marketplace on the Tezos blockchain. His collections have been featured in curated digital exhibitions of rare NFTs including “Can’t Touch It!” Alhadeff is an MFA candidate at Alfred University in Electronic Integrated Arts.

micahalhadeff.com
Twitter: @Micah_Alhadeff
Instagram: @micah_alhadeff

Videoclub by Victoria Papagni is on view through October 8. Videoclub is a retrospective of Victoria Papagni’s video work, the fundamental complement of her objects and installations. From activations in public spaces to advertising videos of sex hardwares prostheses and human/non-human collaborations, her 3D selfie builds a narrative that connects all the work.