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Alfred University
Academic Affairs
Carnegie Hall
1 Saxon Drive
Alfred, NY 14802

Ph: 607.871.2137
Fx: 607.871.2339

Provost:
Suzanne Buckley, Ph.D.
Email
 The Honors Program
Previous Seminars

Spring 2008
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Spring 2008

Comedy and Humor
What makes a joke funny to one person but not to another?  Can we understand what the 'comedic perspective' is and what role it serves in society?  What is meant by a "good sense of humor"?  Why is laughing considered "therapeutic"?  This course will explore the meaning of humor, examining differences between slapstick, aggressive humor, wit, and irony.  Students will be asked to bring in their favorite comedian (on film or CD) and/or comedy film for analysis and enjoyment.  Readings will focus on the therapeutic benefit of laughter and taking a humorous perspective.  Joke-telling will be a primary focus and students will work on their comedic skills throughout the course.  Theoretical discussions will challenge students to explore questions about the function, meaning, and benefit of the comedic perspective.  This course will, indeed, be a laughing matter!

Nip, Tuck, Perm, Pierce, and Embalm: Adventures with Embodied Culture
Never content to leave almost well enough alone, people the world over modify their bodies in culturally prescribed ways.  From foot-binding to whalebone corsets, from circumcision to scarification, from big hair to orthodontia, from “six-pack abs” and “buns of steel” to anorexia, we express our somatic selves in cultural contexts.  Do you have a tattoo? Or piercings? We will examine the body from head to toe in far-flung societies, but especially in our own, asking “How?” “Why?” and “What does it mean?”  Field trips to a tattoo parlor and a funeral home, and relevant films [Robert Flaherty’s Moana (1926, tattooing in Samoa); Pumping Iron (1977, Arnold competes for Mr. Olympia and Mr. Universe titles); Pumping Iron II (the women do it too)] are required.  Does anyone know a good mohel?

A Folk History of Alfred
Alfred is two hundred years old!  Our bicentennial will gear up this spring with  this seminar focusing trends and tales of the last two centuries.  Alfred has a rich history of revolutionaries and researchers, assertive citizens and certifications.  Investigate the history of Alfred as a town, Alfred University as an academic institution and the intertwining of the two.  Participation in town events is an option.  Field trips, interviews with long-time local residents, research in the University Archives and other collections, and guest speakers will provide students with a basis for understanding the movements and changes that have made Alfred the unique place that it is.  Discover early trends that may have made recent developments in this valley possible.  Where the nearest body of water was, circa 15,000 B.C.E.?  What industries brought white settlers to the area?  What resources sustained the new arrivals?  What weather and what disasters beset Alfred? 

Superior Beings: If They Exist, How Would We Know?
Dr. Gaze In this course we will use the text of the same name to study game-theoretic implications of Omnipotence, Omniscience, Immortality and Incomprehensibility. Game Theory was developed over 50 years ago by John von Neumann, John (A Beautiful Mind) Nash and their colleagues and instantly revolutionized the way we think about an array of subjects from finance and economics to law and natural science. In this course we will apply game theory to theology, leading us to provocative questions about religion from a game theorist’s viewpoint. There are absolutely no mathematical prerequisites for this course, we will lay the necessary foundation for game theory, discuss the emerging science of competition, and think deeply about some ancient questions that humanity has struggled with throughout the millennia.

The Films of Stanley Kubrick
This seminar examines the achievement of the late American director Stanley Kubrick, beginning with Killer’s Kiss (1955) and ending with Eyes Wide Shut  (1999).  During the five decades between Kubrick's debut and his final exit, he proved both consistent and unpredictable, always focusing on the dark side, yet radically altering the image from film to film, from the erotic to the warlike, or the realistic to the supernatural, or the extraterrestrial to the down-to-earth.  We’ll watch and discuss twelve Kubrick feature films: Killer's Kiss (1955), The Killing (1956), Paths of Glory  (1957), Spartacus (1960), Lolita  (1961), Dr. Strangelove (1964), 2001 (1968), A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999).  You’ll also have an opportunity to compare one of these films to the work of fiction on which it was based.  Kubrick was drawn to fiction as cinematic raw material early on, and was capable of turning either a masterpiece like Lolita or a summer read like The Shining into an outstanding film.

It's the End of the World as We Know It (And I Feel Fine)
This class will study the notion of the apocalypse or "the end of the world" in mythology, literature, film, graphic novels, and science. Why are people drawn to these stories, and why do we continue to tell them? What do the different causes/incarnations of The End say about our culture? And how the heck did the darkest apocalyptic novel in recent memory end up as an Oprah Book Club selection? We will begin by considering early apocalyptic myths, such as the floods in the Epic of Gilgamesh and the Old Testament. We will then move on to such novels as Kurt Vonnegut's Cat's Cradle, Cormac McCarthy's The Road and Tim LaHaye's Left Behind, films such as On the Beach, Planet of the Apes and Children of Men, the graphic novel Y: The Last Man, and other eschatological texts. We will also consider the new popular science book The World Without Us, which explores what would become of the planet Earth and its natural and manmade structures if human beings suddenly ceased to exist. The course will culminate with a "Design Your Own Apocalypse" project, in which students either write their own fictional end-of-the-world stories, or present a scientifically-based what-if scenario (dirty bombs? global warming? the die-off of honeybees?) that could spell disaster for our culture.

Wiseguys, Whackos and Whiners
This course is based on the assumption that those considered lunatics, ranters or doomsayers by our society’s mainstream frequently have very interesting things to say. Using a mix of highly controversial short essays, indy films, and internet websites, we’ll explore a wide variety of impassioned riffs – from third-wave feminism, queer theory, and radical environmentalism to race nationalism, revolutionary anarchism and religious fundamentalism.  Each week we’ll be asking the same basic question: are these people nuts, or what?!  No prior experience with fanaticism required; weirdos welcome; open mindedness a must.
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Fall 2007

Inside and Out: Exploring Appearance and Eating
Ever plan to go on a diet, but then eat a piece of chocolate cake? Ever wonder how someone who is stick thin could think they are overweight, as is the case for those experiencing anorexia nervosa? Why do women think that they need to be very thin to attract men, but men are more likely to prefer that women have some curves? This seminar will address some of the many contradictions that exist regarding eating, weight, and appearance.

From Paris to Penguins: Contemporary French Cinema
Did you like the colorful, quirky Amélie (2001) and the Academy Award winning documentary The March of the Emperor (2005)? or how about those crazy frog-eating sisters in the animated film Les Triplettes de Belleville (2003)? Then come learn about more French films of the 21st century. All films will have subtitles so no previous knowledge of French is necessary.

Western Civilization in Python Perspective
This seminar is all about exploring the answers to questions raised by the entertainers known as Monty Python’s Flying Circus. We will be looking at the quintessential Python expressions of an historical perspective shaped by the Pythoners’ classical educations and comedic outlook, such as The Life of Brian and Monty Python and the Holy Grail. We will also watch and discuss more serious productions of individual Pythoners such as Terry Jones and Michael Palin. Finally, we will consider some of the other films written and directed by Pythoner Terry Gilliam, including Time Bandits, The Fisher King, and Brazil, which seek to contrast the past with a dystopic present and future. In order to help us explore the historical perspective of Monty Python, we will also be reading texts that influenced that historical outlook, from medieval romance to modern theory. Silliness is mandatory. Of course.

Bullhorns, Breastplates and Brunhildes
Luciano Pavarotti, a famous tenor, once said “Singing is controlled screaming.” So what’s all the screaming about? Why do people either love or hate opera? Is it really enjoyable to hear someone singing at the top of their lungs, executing trills and roulades while they expire from tuberculosis? In this seminar we’ll investigate the stories of some of the great operas, talk about the divas, castrati, murder, betrayal, sex and yes, true love as can only be described in an 8-10 minute aria (song). We’ll listen to and watch some of the great operas on CD and DVD and take a trip to Tri-Cities Opera in Binghamton and in the end, some of you might just get hooked on Opera.

The Science and Psychology of Super-Heroes
Mutants, genetically engineered spiders, alien powers and technology fill the comics and movie screens. Do these things even exist? Could there be any kind of rational explanation for a teenage boy squirting spider silk from his wrists? Could a genetic mutation allow someone to walk though walls, give them the power of a magnet or to read minds? Let's bring a rational mind to the study of superheroes and see just how we could make them work. Getting the DNA of rock from a solar flare isn't even trying at a rational explanation. Bring us your favorite comic/movie characters, and as a class we'll rip 'em to shreds and put them back together.

HONR 224 The Art of Meditation - A translation of the Pali term bhavana, “meditation” originally meant “mental cultivation.” To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of daily life, meditation affords a return to the ground of being and a path to authentic presence. In this course you will gain experience in the art of meditation. We will focus on awareness of posture, breath, and movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. Cultivating the energy of mindfulness, we will explore ways to relate to others, to our environment, and to ourselves with wisdom and compassion.
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Spring 2007

Rebels, Mystics, Outcasts, and Visionaries - Outsider artists describe themselves as being “compelled” to create. On the fringes of society—self-taught, imprisoned, or institutionalized—these obsessive makers create objects of disturbing beauty. Nek Chand, working secretly at night, covered acres of public forest with figures made from re-cycled materials. Grandma Prisbey constructed a house entirely of bottles. What attracts us to this beauty? Is their creativity different in kind from mainstream artists? We will explore the work of contemporary outsider artists through videos and slides. Students will be asked to find and present their own outsider artist.

The Good, the Bad, and the Revolting -  Some things are just revolting, yes? Some things are good and some bad, right? In this class we will approach the discussions of good and bad by first spending most of our time trying to understand our feelings of revulsion. This will allow us to see the play of what might be called the evaluative emotions. Evaluative emotions are central to evaluative judgments. Along with disgust and revulsion we will talk about many powerful emotions like shame, pity, fear and sympathy. In addition to some handouts and visual aids we will read William Miller’s, The Anatomy of Disgust. Students will be asked to participate actively and to work on a co-authored paper.

Classic American Films  - In this seminar we will view and discuss some of the most honored and beloved American films. In no sense will this be a “history of” American Cinema; rather, we’ll try to figure out what it is about these films that makes them cultural icons.  We’ll watch and discuss The Wizard of Oz, The Philadelphia Story, Citizen Kane, Casablanca, It’s a Wonderful Life, Shane, On the Waterfront, Psycho, Bonnie and Clyde, Chinatown, Taxi Driver, Annie Hall, and Pulp Fiction.

Comedy and Humor - What makes a joke funny?  Why are some films hilarious to one person but not to another?  What is meant by a “good sense of humor”?  Why is laughing considered “therapeutic”?  This course will explore the meaning of humor, examining differences between slapstick, aggressive humor, wit, and irony.  Students will be asked to bring in their favorite comedian (on film or CD) and/or comedy film for analysis and enjoyment.  Readings will focus on the therapeutic benefit of laughter and taking a humorous perspective.  Theoretical discussions will challenge students to explore questions about the function, meaning, and benefit of the comedic perspective.  This course will, indeed, be a laughing matter!

 T’ai Chi: A Way of Life 2 hours. T'ai Chi is a way of life that has been practiced by the Chinese for thousands of years. The Chinese conceived the human mind to be an unlimited dimension, but the scope of human activity to be moderate. T'ai Chi evolved through attempts to unify these perceptions into a philosophy of how one should live in balance with oneself. This course is intended to introduce T'ai Chi philosophy to the beginning student primarily through learning its initial movement forms.

Weaving the Web: Reading, Writing, and Drawing [upon] the Literature of Childhood  - E.B. White got it right when he tied the good writer to the good friend in the character of Charlotte, the large gray spider who stars in Charlotte’s Web. For many of us the characters in early literature, in fact the books themselves, were among our first friends. In this course we will read/think through children’s literature from the books for the very young, Goodnight Moon, Olivia, to the intermediate reader, and on to the publishing phenomenon of Harry Potter and other YA literature. We’ll think about the way literature invents ideas of childhood, as well as how it responds to changing cultural ideals and demographics. We’ll also try our own hands as writers/shapers of childhood. For readers, writers, and illustrators.
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Fall 2006

What’s That Stuff? -“Plastic,” used as an epithet in the 1960’s for “false” or “unreal” and now as a replacement for “money” actually denotes the most common material around us today. Without plastics, we’d all be naked and without entertainment in an Alfred winter.  From the early celluloid shirt collars and cuffs that fueled anti-Chinese sentiment in the 19th century through movies and Frisbees to the flood of plastic toys, clothing, and consumer goods, plastics are important stuff.  Availability of their raw materials wins/causes wars and shapes foreign policy; their unique properties make them the key materials for the information age; their synthetic origins make them an environmental issue.  We’ll explore the many faces of plastic stuff and its complex relationship to society through books and videos (no scientific skills are assumed).

Alfred Hitchcock - Called the “Master of Suspense," an avid proponent of black-and-white film, and a great experimenter, Alfred Hitchcock crafted films which explored the dark side of human behavior and the breakdown of civilized restraint.  Early in his career, he directed silent films, then moved gracefully into the “talkies.”  Later still, he worked in both black-and-white and color. He experimented with translating the film medium to television and hosted a popular long-running show.  Our classroom discussions will focus on the aesthetics, politics, and social views expressed in such classics as Psycho, The Birds, Vertigo, Rear Window, and Suspicion

Tightwaddery, or The Good Life on a Dollar a Day - The basic idea underlying much of contemporary life and culture is: Spend money and you’ll be happy. This is a lie perpetrated by the capitalists who want us to buy their products. This seminar will prove its falsity both in theory and in practice. On a theoretical level, we will consider how living frugally benefits your mind, your body, your relationships, your community, and the environment. On a practical level, we will examine personal spending habits, sharpen bargain-hunting, rip-off-detecting, and haggling skills, make field-trips to yard sales and thrift shops, and prepare a class banquet for less than $10.

The Art of Meditation - A translation of the Pali term bhavana, “meditation” originally meant “mental cultivation.” To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of daily life, meditation affords a return to the ground of being and a path to authentic presence.  In this course you will gain experience in the art of meditation. We will focus on awareness of posture, breath, and movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. Cultivating the energy of mindfulness, we will explore ways to relate to others, to our environment, and to ourselves with wisdom and compassion.

Water Treatment Solutions for Underdeveloped Countries - Water borne disease is responsible for the death of millions of people, and clean water is a critical issue in most developing countries. Further, rural areas often lack employment opportunities, leading to migration of the populace to cities where conditions may be no better. Our proposal offers an integrated approach to these problems: Local production of filtration systems by local craftspeople, using local waste and recyclate materialsAn interdisciplinary design team will develop and investigate the full range of economic, environmental, socio-economic, scientific and engineering design issues required to implement the approach. The work will be carried out by 1) a business/socio-economic team which will investigate issues related to local needs for water treatment as well as the economic profile of potential target regions and a 2)  team of engineers, chemists and biologists who will tackle the technical aspects of the problem, including an experimental survey of potential waste and recyclate materials.Permission of instructor required.  Contact Dr. LaCourse at  lacourse@alfred.edu

England’s Literary and Cinematic Places: London and Beyond - In this seminar, we’ll explore the creative, intimate, and often essential connections writers and filmmakers share with place. In this case, with the varied and dynamic landscape of England. We’ll look at how London, England’s vibrant and history-rich capital, has influenced writers as diverse as Joseph Conrad and Virginia Woolf. We’ll also explore the landscapes of such cities as Bath and Canterbury, examining their influence on writers like Jane Austen and Thomas Hardy. Filmmakers have also enjoyed a kinetic relationship with England’s many places, and we’ll look at the work of such diverse British filmmakers as Ken Russell, John Boorman, and Guy Ritchie.  By enrolling in the class, you are also committing yourself to six-night visit to England during fall break. We’ll stay in London but also travel to the other literary and film landscapes that are so much a part of English culture and history.  It may cost as much as $1,400.

Local History: Eat it Up! - Compared to many other countries, we live in the proverbial “land of milk and honey.” What does that really mean and how does it connect with Alfred’s pioneers?  Some in our culture are moving back toward the domestic arts, organic foods, and paying closer attention to what types of pesticides are being used to grow food. Alfred, originally settled as an agricultural community, is and has been home to a variety of people who produce and sell many of the foods we generally take for granted. Alfred’s history contains local lore, homegrown recipes, and even businesses centered on these foods. Field trips, cooking, readings, and guest lecturers will offer participants the chance to explore Alfred’s history and some of its people through the examination (and tasting!) of locally produced food: maple syrup, honey, milk, cheese and apples. Field trips will involve a dairy farm, a cheese museum, a cider mill, a maple restaurant, and an apiary.
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Spring 2006

The Films of Stanley Kubrick - This seminar examines the achievements of the late American director Stanley Kubrick.  During the five decades between Kubrick's debut and his last exit, he proved himself to be both consistent and diverse, always focusing on the dark side of human experience, yet radically varying the image from film to film--from the erotic to the warlike, or the realistic to the supernatural, or the extraterrestrial to the down-to-earth.  The films we'll examine are Killer's Kiss (1955), The Killing (1956), Paths of Glory (1957), Spartacus
(1960), Lolita (1961), Dr. Strangelove (1964), 2001 (1968), A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)

Food for Thought - Food is a part of our family histories, our personal tastes, our obsessions, our friendships and our rituals. This course will work as a kind of literary pot luck.  We will combine reading food in the form of novels, memoir, poetry, and cookbooks, with writing food in the form of our own autobiographical food narratives, and cooking food from the recipes in our literature (and eating) together. Students will be encouraged to share their native and familial cuisines.

T'ai Chi: A Way of Life - T’ai Chi is a way of life that has been practiced by the Chinese for many centuries. This meditative, peaceful “martial art,” is known and regularly practiced daily by millions of people throughout the world and is considered widely to be a valuable “holistic” movement/meditative form which enhances one’s health and mental well-being, providing important tools for effectively coping with the stresses of modern life. Students will be introduced to T’ai Chi’s early history and evolution into the contemporary era and its philosophical background as it directly links with Chinese culture, and will learn approximately half of the 64 movements of the form.

Editorial Cartoons - One goal of this seminar is to learn how to interpret/analyze editorial cartoons covering a wide range of topics; another is to learn how to recognize the styles of some of the prominent American editorial cartoonists. In addition to drawing our own editorial cartoons on subjects ranging from college life to current events/issues (artistic ability not expected or required), students will be asked to give a presentation using editorial cartoons to examine an important historical event such as the Civil Rights Movement, the end of Apartheid, or Vietnam.

Extinctions, Evolution and the Environment - In this seminar we will seek to understand extinctions and their role  in the evolution of our planet and the life on it. We will study what is known about the fossil record and the extinctions it records, and will see that extinction rates are anything but constant.  We  shall see how a new paradigm, “punctuated equilibrium”, has been  developed to reflect the episodic nature of extinction events.  The  Mass Extinction at the end of Cretaceous time - the one responsible  for the demise of the dinosaurs - will receive particular attention.
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Fall 2005

Comedy and Humor - What makes a joke funny? Why do some people find a particular joke to be hilarious whereas others think it is stupid or banal? What role does humor play in our general well-being; is it therapeutic or just an idle distraction? Why is a "good sense of humor" such an important criterion for choosing friends or lovers? We will explore these questions through an examination of several modes of humor -- films, joke books, sitcoms, stand-up comedy, and animation.

Nip, Tuck, Perm, Pierce, and Tattoo - Adventures with Embodied Culture Never content to leave almost well enough alone, people the world over modify their bodies in culturally prescribed ways. From foot-binding to whalebone corsets, from circumcision to scarification, from big hair to orthodontia, from “six-pack abs” and “buns of steel” to anorexia, we express our somatic selves in cultural contexts. We will examine the body from head to toe in far-flung societies, and especially in our own, asking “How?” “Why?” and “What does it mean?” A field trip to a tattoo parlor and relevant films [Robert Flaherty’s Moana (1926, tattooing in Samoa); Pumping Iron (1977, Arnold competes for Mr. Olympia and Mr. Universe titles)] are required.

Risky Business - Being 18 or so is a risky business. The are a gazillion reasons why: parents to deal with, teachers and school, falling in love for the first time, not to mention sex, drugs, and rock ‘n roll. Most of all, it’s a time of letting go of the past and “breaking away.” In this seminar we’ll take a look at the way these issues have been treated on film. We’ll see such films as Risky Business, Breaking Away, Saturday Night Fever, Good Will Hunting, The Graduate, Splendor in the Grass, Election, Gas Food Lodging, Say Anything, The Last Picture Show, Roger Dodger, and Maria Full of Grace.

The Theory and Practice of Time Travel - The whole idea of Time Travel is preposterous, isn’t it? Despite the paradoxes, some physicists think time travel may not be impossible. In fact, there is no law of physics that time travel contradicts and there are even solutions to Einstein's equations for general relativity which allow time travel to take place. No we won't really build a time machine. The "practice" part of the class will look at time travel as portrayed in science fiction.

The Politics of Country Music - Country music is often dismissed as an emanation from the Red states – or worse: simpleminded, predictable, kneejerkishly God-fearing and flag-waving. In this survey of the genre, we’ll take a more complex view of the cultural work of country music, exploring how it emerges from and responds to social and political contexts. We’ll be especially interested in the outlaws of country music and their friends –Willie Nelson, Kris Kristofferson, Loretta Lynn, Johnny Cash, John Prine, and more – and we’ll listen to some representatives of contemporary country (like Toby Keith and the Dixie Chicks) to explore how the politics of country music have changed over the past few decades. We’ll also try to find a good concert to attend together – and we might try writing some songs of our own.

Zen in the Art of Chess - The ancient game of chess is recognized as both a technical skill and an art form. In this course we will study both aspects. The technical side will be developed by studying opening and end-game strategies, as well as studying games played by grandmasters. The artistic side will be approached through Zen in the Art of Archery, which gives an excellent introduction to Zen philosophy through the practicing of archery. The games of Go and Chinese chess will also be introduced. Absolutely no knowledge of chess is required, just a willingness to participate in games of chess both inside and outside the classroom.

Mind the Gap  Art + Science - Why would an artist find it necessary to make a rabbit glow green?   How does growing  human ears on the backs of mice affect the culture’s image of science? Artists not only critique science and technological "advancements," they are a conduit for new knowledge as it flows from scientists to the general population. In this seminar, we will explore recent responses by artists to new technologies and scientific advances, and the historical roots of this response.  We will come to an understanding of how science and the public may benefit from this line of inquiry and how society may benefit from the impact of science and art collaborations.  The seminar will be team taught by a scientist/artist and an artist/scientist.  Over the course of the semester students will have the opportunity to create and exhibit artwork with science as its subject or medium.
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Spring 2005

Vampires - This seminar will examine many facets of the vampire. Central to the course will be the development of the vampire figure in fiction (Polidori's The Vampyre, Le Fanu's Carmilla, Stoker's Dracula, King's Salem's Lot and Rice's The Tale of the Body Thief, films (several Dracula films, The Hunger, The Lost Boys, and Van Helsing), and television Buffy, Dark Shadows, and Forever Knight). We will also study the history of vampires and the contemporary place of vampires in a world of Goths and deadly blood diseases such as AIDS.

Planetary Geology - NASA missions to the planets have provided huge advances in our knowledge of the Solar System, dramatically changing much of our thinking about planets and other bodies. Consider this: There are eight planets and at least 60 satellites in our Solar System, and no two bodies are the same! We will examine NASA missions to the terrestrial planets and other solid bodies, learn about what we now understand better, but perhaps more importantly, learn about the new questions inspired by this new knowledge. In the process, we will learn how our knowledge of the Earth has dramatically increased from such planetary explorations.

A Great Characters Seminar - A lot of the people we carry around with us in our heads and our hearts are people we've only met in literature. Even though they're not “real,” they're often the people we think of when we wonder how to handle a situation, or when we consider the human qualities we value, or when we are scared in the dark in the middle of the night. In a sense, other characters are how we know who we are. They are the beating heart at the center of every story. So what makes a character memorable? Who are the enduring characters in our literatures and our lives? How do writers do it? How do writers take words and make someone as clear and real to us as the person next door? In this reading and writing class, we'll explore some great characters from literature, children's literature and genre fiction. Possible texts: Dracula, The Trumpet of the Swan, Anna Karenina, To Kill a Mocking Bird, The Tempest, Harry Potter, even romance novels and detective fiction. We'll also develop characters of our own, practicing techniques we learn from Tolstoy, Shakespeare, J.K. Rowling, and E.B. White.

The Human Genome Project - The Human Genome Project and the technological advances and innovations it will produce will confront American society and with a wide range of new and challenging ethical and social issues. The seminar will introduce students to some of the bioethical issues that will inevitably confront them and help them to develop the intellectual tools they will need to participate in making informed decisions. The seminar will look at the scientific bases, the moral dilemmas and the social implications of such practices as genetic screening, gene therapy, DNA testing, and the development of genetically modified organisms.

Maple Syrup - The Real Thing: “Wanted: Someone with a background in meteorology, chemistry, botany, forestry, art, and cookery who is also a nature lover with lots of patience. Must enjoy long hours of hard work in the snow, cold, and mud.” Even though this is an accurate description of a maple syrup producer, don't let it scare you! The method of producing maple syrup is one of the things in our society that has endured even in today's culture of constant change; fundamentally it's the same process Native Americans used centuries ago. This class will explore the history of maple syrup production, discover the ins and outs of making syrup, create (and eat) some sweet confections, and take field trips to local producers, restaurants and festivals. No prior experience expected.

Remaking Horror Films - Horror films can be viewed on one level as simply funhouse rides intended to shock their viewers, but deeper analysis of movies in this genre can provide a window into a society's culture, including the fears it wants to face and even the ones it doesn't. Within the past decade, classic horror films from the 1960's and 1970's, such as Psycho, Invasion of the Body Snatchers, Night of the Living Dead, and The Texas Chainsaw Massacre have been remade by contemporary filmmakers, “updating” the stories to fit the periods in which they are being viewed. In this course, we will view the originals and these remakes to compare the ways in which horror films seek to shock, comfort, and sometimes challenge their intended audience.
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Fall 2004

The Tao of Physics - In the 8th century A.D. Padma Sambhava, an Indian guru and founder of the first Tibetan Buddhist monastery, prophesized: "When the iron bird flies, and horses run on wheels, the Tibetan people will be scattered like ants across the World, and the Dharma (teachings of the Buddha) will come to the land of the red-faced people." Some thirteen hundred years later, Albert Einstein said: "If there is any religion that could cope with modern scientific needs it would be Buddhism." Scientists and religious mystics are alike in that they both search for the true nature of reality. In this course we will use Fritjof Capra's book, The Tao of Physics, to guide us through the parallels of modern scientific thought and ancient eastern philosophy. The scientific advances of the 20th-century have raised as many questions as they have answered, while fundamentally changing the world view of humanity. Gone is the mechanistic clockwork universe of Newton, entrenched notions of absolute space and time have been erased by Einstein's relativity theory, and the fundamental building blocks of nature have disappeared in a cloud of uncertainty. Amazingly, the radical ideas and concepts of modern physics seem to be arriving at fundamental truths discovered long ago by Eastern mystics. We will explore these similarities from the standpoint of a general audience, with additional readings supplementing the main text.

Hollywood’s Golden Age - Hollywood films came of age in the 1930’s. Throughout the 40’s and well into the 50’s big stars and powerful directors produced films which still influence the way we think of ourselves as Americans. By considering High Noon, Casablanca, Notorious, Jezebel, Gone With the Wind, The Misfits, All About Eve, The Grapes of Wrath, Compulsion, Touch of Evil, and A Streetcar Named Desire, this seminar offers the opportunity to study and compare such stars as Humphrey Bogart, Ingrid Bergman, Marilyn Monroe, Clark Gable, Cary Grant, Bette Davis, Orson Welles, Gary Cooper, Vivien Leigh, Marlon Brando, Henry Fonda and the directors who brought their images to screens all over the world.

Classic American Films - In this seminar we will view and discuss some of the most honored and beloved American films. In no sense will this be a "history of" American Cinema; rather, we'll try to figure out what it is about these films that makes them cultural icons. We'll watch and discuss The Wizard of Oz, The Philadelphia Story, Citizen Kane, Casablanca, It's a Wonderful Life, Shane, On the Waterfront, Psycho, Bonnie and Clyde, Chinatown, Taxi Driver, Annie Hall, and Pulp Fiction.

Tightwaddery, or The Good Life on a Dollar a Day - The basic idea underlying much of contemporary life and culture is: Spend money and you'll be happy. This is a lie perpetrated by the capitalists who want us to buy their products. This seminar will prove its falsity both in theory and in practice. On a theoretical level, we will consider how living frugally benefits your mind, your body, your relationships, your community, and the environment. On a practical level, we will examine personal spending habits, sharpen bargain-hunting, rip-off-detecting, and haggling skills, make field-trips to yard sales and thrift shops, and prepare a class banquet for less than $10.

Glass - It's not a liquid; it is as solid as a rock (sometimes literally), it is often beautiful, always useful and ancient; there is belief in some quarters that the Holy Grail was made of glass. This class will look at both the history and the science of glass. Participants will melt glass in a laboratory setting and measure some properties. We will learn how glass fiber is made both for telecommunications and reinforcement and we will even make glass in a beaker. We will visit the Corning Museum of Glass and, if there is enough interest we will make glass at the walk-in workshop.

The Art of Meditation - A translation of the Pali term bhavana, "meditation" originally meant "mental cultivation." To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of daily life, meditation affords a return to the ground of being and a path to authentic presence. In this course you will gain experience in the art of meditation. We will focus on awareness of posture, breath, and movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. Cultivating the energy of mindfulness, we will explore ways to relate to others, to our environment, and to ourselves with wisdom and compassion.

The London Theatre - This seminar is centered around a six-day trip to London. During the visit, we'll see at least one National Theatre production, one Westend production, and one fringe production (Almeida or King's Head). We'll visit the Rose Theatre Exhibition, the Globe Theatre and Exhibition, and the Theatre Museum. We'll also tour the Theatre Royal, Drury Lane (1663) and the backstage areas of the National Theatre. During the semester, we'll read the plays we'll see performed, chart the history of theatre in London from the days of Shakespeare to the current time; we'll even watch Shakespeare in Love.
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Spring 2004

Altered States - Cinema and the Unconscious Mind - Sometime in the 1920's, the Spanish film maker Luis Bunuel theorized that movies functioned like hypnosis. Bunuel thought that films relaxed our minds, and that while watching films we enter a new state of consciousness that opens up new narrative possibilities. Both filmmakers and viewers found a method of story-telling that provided a new sense of consciousness, and even a new way of exploring and understanding consciousness. This course will look at a cross-section of American and European films that have explored the relationship between conscious and unconscious thought. We will view a variety of narrative and experimental films made from the early twentieth century to the present -- for example, Altered States, Un Chien Andalou, Mulholland Drive, Vertigo, Belle de Jour, and Zelig, and read Freud's On Dreaming and The Ego and The Id.

Mysteries of the Brain - This seminar is designed to provide students with an opportunity to learn about some of the more fascinating ways in which the brain influences human behavior. The readings, class discussions and video tapes will focus on case histories involving unusual behavior resulting primarily from brain injury or atypical brain development. Special attention will be given to understanding how brain differences relate to gender role differences. The following books will serve as the foundation for the course: The Man Who Mistook His Wife for a Hat - Oliver Sacks; The Man with A Shattered World - A. R. Luria; Brain Sex: The Real Difference Between Men and Women - Anne Moir & David Jessel; As Nature Made Him: The Boy Who Was Raised as a Girl - John Colapinto.

Exploring the 1970's Through American Pop Culture - Despite what you might see on TV today, the United States in the 1970's was neither peaceful nor placid. Civil unrest, political crises, and economic upheavals rocked Americans throughout the decade. The popular music, movies, television, and comix that emerged from this era were strongly influenced by these events. This course will attempt to understand the 1970's by considering the cultural artifacts produced in the period, including works by Hunter Thompson, the Ramones, R. Crumb, and documents like the movies Chinatown and Eraserhead, and shows like Saturday Night Live and Monty Python.

The Films of Stanley Kubrick - This seminar will examine the achievements of the late American director Stanley Kubrick, beginning with his first film Fear and Desire (1953)-available only at the George Eastman House, Rochester, NY-and ending with his final release, Eyes Wide Shut (1999). During the five decades between Kubrick's debut and his last exit, he has proven both consistent and diverse at the same time, always focusing on the dark side of human experience, yet radically varying the image from film to film-from the erotic to the warlike, for example, or the realistic to the supernatural, or the extraterrestrial to the down-to-earth. The films resulting from such focused explorations are Fear and Desire (1953), Killer's Kiss (1955), The Killing (1956), Paths of Glory (1957), Spartacus (1960), Lolita (1961), Dr. Strangelove (1964), 2001 (1968), A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999). We'll watch and discuss all of these films as well as examining a selection of the fictional works (Lolita, The Shining) he has adapted for the screen.

A Folk History of Alfred - Who was Scholes? Bartlett? Reimer? Harder? Binns? Merrill? In this Honors seminar, students will investigate the history of Alfred as a town and Alfred University as an academic institution and the intertwining of the two. Field trips, interviews with long-time local residents, research in the University Archives and other collections, and guest speakers will provide students with a basis for understanding the movements and changes that have made Alfred the unique place that it is.

Hollywood's American History - How has Hollywood portrayed themes and events in American history? How do those portrayals, and the subjects chosen, reflect the events and concerns of the eras in which the movies are made? What major genres of film and developments in filmmaking over time have affected what can be represented? We will address these questions by viewing movies from different eras that treat such topics as war, politics, the West, and social relations, and by discussing the films (and doing a little reading) in alternate weeks. We will consider films as varied as Birth of a Nation, 1776, and Dr. Strangelove.

T'ai Chi: A Way of Life - T'ai Chi is a way of life that has been practiced by the Chinese for thousands of years. The Chinese conceived the human mind to be an unlimited dimension, but the scope of human activity to be moderate. T'ai Chi evolved through attempts to unify these perceptions into a philosophy of how one should live in balance with oneself. This course is intended to introduce T'ai Chi philosophy to the beginning student primarily through learning its initial movement forms.
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Fall 2003

Alfred Hitchcock - Called the “Master of Suspense," an avid proponent of black-and-white film, and a great experimenter, Alfred Hitchcock crafted films which explored the dark side of human behavior and the breakdown of civilized restraint. Early in his career, he directed silent films, then moved gracefully into the “talkies.” Later still, he worked in both black-and-white and color. He experimented with translating the film medium to television and hosted a popular long-running show. Our classroom discussions will focus on the aesthetics, politics, and social views expressed through this great director’s work.

A Question of Dreams - Dreams. Why do they puzzle us? Haunt us? Terrify us? Are our dreams capable of changing us, empowering us? Who are these figures that visit us in the night? Where do they come from? How are we to treat them so we might better understand ourselves? This course attempts to answer these questions by examining the images that appear in our dreams and various ways to interpret their meaning. While we will acknowledge the wide range of theories and practices in the psychology of dreaming, our primary objective in this course will be an investigation of the techniques of dream interpretation introduced in Freud’s The Interpretation of Dreams. We will also incorporate readings from C.G. Jung’s works on his theory of dreams. Additional readings will cover contemporary approaches and, in particular, the mass-marketed self-help literature on dreams.

Performance and the Object - We will explore the relationship between performance art and object making in the postwar period, focusing on the 1950’s - 70’s. The class will research international artists and groups, such as Bruce Nauman, Fluxus, and Yoko Ono. We will examine a range of issues, including: the critique of the art object as an economic commodity, the rise of feminist performance, and the impact of avant-garde “actions” on contemporary craft practice.

London - The Fact and Fiction of a Capital City - This seminar will focus on two issues: the growth of London as one of the great capital cities of the world and the role of London in selected literature, theatre, and film. We’ll trace the rise of London as England’s first city, outline the landscape of its modern geography, and identify the many landmarks that punctuate the skyline. We’ll also examine the use of London in selected works of literature, film, and theatre. This seminar involves a trip to London during the fall break. We’ll visit the National Gallery, St. Paul’s Cathedral, The British Museum, Portebello market, The Tower of London, and many other sites associated with this historic and lively city. You are not required to join us on the trip; this is an extra feature of the class.

Sex and Power - Attitudes towards sexuality and power reveal much about gender expectations within a culture. What does a culture’s treatment of rape and other sexual offences tell us? This seminar explores rape through a variety of perspectives including those of the victims, the offenders, the scientific and the criminal justice community. In order to view rape and other sexual offenses’ presence and definition in other cultures, we will compare justice systems, social services, and media representations.

Food for Thought - There’s been a recent trend in literary fiction to garnish the plot with actual recipes as chapter breaks: Venison stew and dinner party how to’s served as character description and plot enhancement. And the trend is not only limited to fiction: memoirs have writers confessing how to make the food they devoured when they thought no one was looking; poems offer dessert in verse, chefs are the new authors du jour. Why not? Characters meeting, arguing, loving and despairing over food has always been a part of our literatures. Now we get the recipes. Food is a part of our family histories, our personal tastes, our obsessions, our friendships and our rituals. We would die without it. This course will work as a kind of literary smorgasbord. We will combine reading food in the form of novels, memoir, poetry, and cookbooks, with writing food in the form of our own narratives, and cooking food from the recipes in our literature (and eating) together. Emphasis will be on fresh foods of the season, and students will be encouraged to share their native and familial cuisines.

Technocracy - Over two thousand years ago Plato put forth in The Republic a vision for a society ruled by a philosopher king. The world has changed in these last two millennia with technology and science woven into the very fabric of everyday existence. At the ripe age of 2430, would Plato still argue for a society ruled by a philosopher king or would he offer a different vision for our world? Could this new vision be one in which a technocrat ruler holds court? In a technocracy, all economic resources, and hence the entire social system, would be controlled by scientists and engineers. This course will consider whether such a world would lead to a modern Utopia.
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Spring 2003

Spirituality and the Counterculture - The focus is on American culture from about 1958 to about 1975, but not on the mainstream; rather, we will study the spirituality of the underground counterculture of the beats, radicals and hippies. Themes include the appropriation of Asian religions, poetry and jazz, mysticism and drugs and other trends in development of countercultural values in the fifties and sixties. Readings will include the luminaries of the underground: Jack Kerouac, Aldous Huxley, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, Alan Watts, etc.

Risky Business - Being 18 or so is a risky business. There are a gazillion reasons why: parents to deal with, teachers and school, not to mention sex, drugs, and rock 'n roll. Most of all, it is a time of letting go of the past and "breaking away." In this seminar we'll take a look at the way these issues have been treated on film. We'll see such films as Risky Business, Breaking Away, Saturday Night Fever, The Graduate, Splendor in the Grass, Smoke Signals, Election, Gas Food Lodging, Say Anything, The Last Picture Show, and Flirting.

On the Road with King Alfred - This course will introduce you to the world of King Alfred (reigned 871-99) through discussion of biographical, historical, literary, and archaeological materials and then give you the opportunity to EXPERIENCE Alfred's Britain by taking a trip to southern England May 19-29 2003. We will explore Anglo-Saxon and post-Norman Conquest Britain (including the many King Alfred pubs) through a series of road trips. Our home base will be the youth hostel in the beautiful medieval city of Salisbury. After we orient ourselves by visiting the British Museum in London, we will explore Oxford, Salisbury, Winchester , Stonehenge, Wareham, Shaftesbury, Glastonbury, and Wells.

Maple Syrup: The Real Thing - "Wanted: Someone with a background in meteorology, chemistry, botany, forestry, art, and cookery who is also a nature lover with lots of patience. Must enjoy long hours of hard work in the snow, cold and mud." Even though this is an accurate description of a maple syrup producer, don't let it scare you! The method of producing maple syrup is one of the things in our society that has endured even in today's culture of constant change; fundamentally it's the same process Native Americans used centuries ago. This class will explore the history of maple syrup production, make our own syrup for use in creating sweet confections, and take field trips to local producers, restaurants and festivals. No prior experience expected.

Rebels (With or Without Causes) - From James Cagney's Public Enemy, to Marlon Brando's The Wild One, Peter Fonda's Easy Rider, Sallie Fields Norma Rae and of course James Dean, it takes an unusual individual at odds with popular opinion to strike out against a society or a structure. From anarchists to Black Panthers, from the Mods and the Rockers to labor heroes, we'll look at the role and the rhetoric of rebellion alongside the culture that provokes it using film, essays, music, stand-up comedy recordings and newsreel footage.

Mysteries of the Brain - This course is designed to provide an opportunity to learn about some of the more fascinating ways in which the brain influences human behavior. The readings and class discussions will focus on case histories involving unusual behavior resulting primarily from brain injury or atypical brain development. Special attention will be given to understanding how brain differences relate to gender role differences.

Weaving the Web: Reading, Writing, and Drawing the Literature of Childhood - E.B. White got it right when he tied the good writer to the good friend in the character of Charlotte, the large gray spider who stars in Charlotte's Web. For many of us the characters in early literature, in fact the books themselves were among our first friends. In this course we will read/think through children's literature from the books for the very young, Goodnight Moon, Olivia, to the intermediate reader and publishing phenomenon of Harry Potter. We'll think about the way literature invents ideas of childhood, as well as how it responds to changing cultural ideals and demographics. We'll also try our own hands as writers/shapers of childhood. For readers, writers, and illustrators.
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Fall 2002

Comedy and Humor - What makes a joke funny? Why are some films hilarious to one person but not to another? What is meant by a "good sense of humor"? Why is laughing considered "therapeutic"? This course will explore the meaning of humor, examining differences between slapstick, aggressive humor, and irony.

The Art of Meditation - A translation of the Pali term bhavana, "meditation" originally meant "mental cultivation." To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of daily life, meditation affords a return to the ground of being and a path to authentic presence. In this course you will gain experience in the art of meditation. Employing the methods of sitting and walking meditation, we will focus on awareness of posture, breath, and movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. Cultivating the energy of mindfulness, we will explore ways to relate to others, to our environment, and to ourselves with wisdom and compassion.

The Beauty of Chess - The basic principles and evolution of the opening, middlegame and endgame will be analyzed through theory, strategy, tactics and a myriad of motifs. Positions from master games will be at the core of our studies. In particular, the combination will exhibit the beauty of chess. Classic games by Robert J. Fischer and Paul Morphy will be spotlighted. No prior knowledge of chess is assumed.

The Power of Maps - This course will uncover the ins and outs of maps: ways in which they have been made over time, ways in which they have changed the course of history, and ways in which people lie with them. We'll make some maps using a computer and some others using five of our senses. We'll do a little with the science of cartography and a lot with the art of cartography. Take this class to explore your spatial side.

Tightwaddery, or the Good Life on a Dollar a Day - The basic idea underlying much of contemporary life and culture is: Spend money and you'll be happy. This is a lie perpetrated by the capitalists who want us to buy their products. This seminar will prove its falsity in both theory and practice. On a theoretical level, we will consider how living frugally benefits your mind, your body, your relationships, your community, and the environment. On a practical level, we will examine personal spending habits, sharpen bargain-hunting, rip-off detecting, and haggling skills, make field-trips to yard sales and thrift shops, and prepare a class banquet for less than $10.

Godel, Escher, Bach: An Eternal Golden Braid - What do the fugues of composer J.S. Bach, the drawings of graphic artist M.C. Escher, and the esoteric theorems of mathematician K. Godel all have in common? What do Alice's adventures in Wonderland and the paradoxes of Zeno have to do with the structure of DNA and the Koans of Zen Buddhism? Douglas Hofstadter ties all these strands together in his Pulitzer Prize winning book, which gives this course its name. We will use this book as our text, studying the strange loops inherent in all of the above, and along the way learn the logic to understand how Kurt Godel was able to infuse a formal system with the power of self reference. The philosophical and neurological implications of Godel's Incompleteness Theorem for human thought and artificial intelligence will be explored in depth, creating our own strange loop as we think about how we think. There is no mathematical prerequisite.

Recent British Cinema: Heritage, Modernity, and Culture - This seminar explores the links between a national cinema and a national identity/culture. By examining recent British cinema, we'll try to chart the changing cultural landscape of the United Kingdom. We'll view and discuss a wide range of the most provocative and celebrated recent British films. Our screenings may include The Long Good Friday, Another Country, An Englishman Abroad, Gregory's Girl, Stormy Monday, Trainspotting, Lock Stock and Two Smoking Barrels, Snatch, Truth and Lies, Naked, and Human Traffic. This seminar involves a trip to England during fall break. We'll visit the British Film Institute, the National Film Theatre, and other sites associated with this emerging or re-emerging national culture. You are not required to join us on the trip; this is an extra feature of the class. Last year the cost of roundtrip air was $400 and 5 nights double occupancy in a nice hotel was $265. I will try to provide a better estimate of 2002 costs during the first week of the fall semester.

Recent Advances in Medical Technology and Their Ethical Challenges - Biomedical engineering is responsible for dramatic advances in modern medicine, and has resulted in improved care and better quality of life for patients. However, advances in medical technology have also created new ethical dilemmas and challenged some of our moral values. These include conflicts of interest, research misconduct, allocation of scarce resources, animal experimentation and clinical trials for new medical devices. In this seminar we'll discuss these topics to better understand the problems involved.
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Spring 2002

You've Got Mail: Journal and Letter Writing - Daily literature is essential to those who persist in living an examined life. Unlike more polished narrative forms, journals and letters offer insight into the chronology of perception and finger actual moments of consciousness. Here is where the writer assembles the ingredients for her prose or poetry and imagines his audience. So what makes some journals literary? How do diaries and letters structure the story of a life differently than the more formal memoir or autobiography? Can e-mail be literary? Let's find out. This course combines the reading of literary journals and letters with writing in both forms.

Improvising For Life!!! - Improvisation for the Theatre is built around theatre games, the creation of and response to scenarios, and the development of relationships of characters. This seminar on improvisation for life takes those theatre techniques and relates them to individuals in everyday situations. Theatre games, creation of scenes and characters, presentation of ensemble work to the rest of the class, discussion, and energy focus are the areas of participation, challenge, and development for students in this seminar.

Films of Stanley Kubrick - This seminar will examine the achievements of the late American director Stanley Kubrick. During the five decades between Kubrick's debut and his last exit, he has proven both consistent and diverse at the same time, always focusing on the dark side of human experience, yet radically varying the image from film to film--from the erotic to the warlike, for example, or the realistic to the supernatural, or the extraterrestrial to the down-to-earth. The films resulting from such focused explorations are Fear and Desire (1953), Killer's Kiss (1955), The Killing (1956), Paths of Glory (1957), Spartacus (1960), Lolita (1961), Dr. Strangelove (1964), 2001 (1968), A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999).

Photonics: Surfing the Light - I see what you're saying . . . strange comment but actually feasible now if you had infrared detection capabilities. You see (there it is again) when you communicate these days your voice is carried long distance on a ray of light, as is all that data you send via computer and your cable TV! What's up with this? Are we not governed by electronics any more? Is the humble electron being outsmarted by the gleaming photon? What else might photons do resulting in the demarcation of the electron? In this course we will investigate some of the high technology things you can do with light (experiments included) and how it can impact our everyday existence.

The Other Woman - She looks way too good in that outrageous red dress. She eats men for dinner. And she's after your husband. Vixen or a victim, the other woman is a major figure of twentieth-century film, literature, and now politics. Sure, she doesn't get much glory, but because we love to hate her so much, she certainly earns a lot of fame (or, perhaps more accurately, infamy). The scandalous nature of her role impacts art, media and politics, and her ability to ruin marriages (and, lest we forget, sometimes to save them) keeps us running to theaters. From Betty Davis' film All About Eve to Toni Morrison's 1973 novel Sula to Andrew Morton's 1999 Lewinsky biography Monica's Story and beyond, we will consider the way the other woman has been represented and decide for ourselves what kind of cultural work this figure is designed to accomplish.

"All That Jazz" - 1900 American music comes of age. It was definitely born in New Orleans and it seems likely that it grew out of ragtime dance. However, the origins of the syncopated dance music called jazz remain a matter for speculation. We will explore the fascinating evolution of American music from ragtime and blues to jazz and swing; from plantations and New Orleans to Chicago and New York. Just who was "Jelly Roll" Morton and what was his Fist Full of Keys? "I felt as if I had stared into the sun's eye" a fellow trumpeter remarked after hearing Louis Armstrong live. How important and powerful were the first "jazzers" and what was their mark on American music and culture. This seminar will explore these questions through historical recordings, video excerpts and text.

Birth of the Movies: The Silents Speak - Although our present sense of historical amnesia would have us assume that silent films were primitive forms of entertainment that had little in common with technologically sophisticated movies of today, the basic devices of cinematic storytelling -- techniques we still rely upon, such as the flashback, fadeout, and close-up -- were actually established by 1912. In fact, many critics lamented the arrival of "talkies" in 1927, believing that sound heralded the death of artistic films. As silent screen actress Mary Pickford once observed, perhaps the "talkies" should have come first. In this class, we will view classic examples of film genre -- such as The Birth of a Nation (1915), Safety Last (1923) and Metropolis (1927) -- and critically examine the ways in which these films reflected the social milieu.
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Fall 2001

Comedy and Humor - What makes a joke funny? Why are some films hilarious to one person but not to another? What is meant by a "good sense of humor"? Why is laughing considered "therapeutic"? This course will explore the meaning of humor, examining differences between slapstick, aggressive humor, and irony. Students will be asked to bring their favorite comedian (on film or CD) and/or comedy film for analysis and enjoyment. Theoretical discussions and readings related to the psychology of humor will be included.

Classic American Films - In this seminar we will view and discuss some of the most honored and beloved American films. In no sense will this be a "history of" American cinema; rather, we'll try to figure out what it is about these films that makes them cultural icons. We'll watch and discuss The Wizard of Oz, The Philadelphia Story, Citizen Kane, Casablanca, It's a Wonderful Life, On the Waterfront, Psycho, Bonnie and Clyde, Chinatown, Taxi Driver, Annie Hall, and Pulp Fiction.

2001: A Science Fiction Odyssey - It's the year 2001, so I have to do a science fiction class. We'll look at the book and the movie, and other visions of the future in science fiction from the 50s, 60s, 70s, 80s and 90s. We'll look at how our idea of technology has changed over time, and how our view of the solar system has changed.

"Advertising and American Culture" - It seems that everywhere one turns she or he confronts advertising of some sort - so much so, that it is estimated that the average American is exposed to some 500 advertisements a day. In this honors seminar we will attempt to make sense of all the advertising around us by studying the dynamics of the advertising industry and considering its impact upon our culture. To do so we will read James Twitchell's ADCULT USA, and conduct regular critiques of a wide variety of advertisements.

The Art of Meditation - To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of academic life, meditation affords a return to the grounds of being and a path to authentic presence. This course will offer practical experience in the art of meditation. Employing the techniques of insight meditation, as taught by Jack Kornfield, and the practice of walking meditation, as taught by Thich Nhat Hanh, we will focus on awareness of posture, breath, movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. The themes of our discussions will include impermanence, interdependence, environmental awareness, and the cultivation of compassion.

Western Civilization in Python Perspective - We will look at the ways in which the filmwork of members of the cast of Monty Python's Flying Circus (both serious and silly) instruct and comment on the history of western civilization. Films will be shown more or less every week, with discussion immediately following. Reading will include material that coincides with the period under study. Films to be shown include: Time Bandits (directed by Terry Gilliam), Life of Brian, Monty Python and the Holy Grail, The Crusades (Terry Jones--four parts), Michael Palin's Railway series, and Brazil (directed by Terry Gilliam).

Urban Experience in Film - This course will examine depictions of urban experience in film, paying special attention to social motifs, as well as the relationships between the technologies available to film and those that govern city organization. Films: Metropolis, Modern Times, Man with a Movie Camera, The Naked City, Pitfall, The Big City, Illusion Travels by Streetcar, Taxi Driver, superfly, Brazil, He Got Game, Blade Runner, eXistenZ.

Cool Britannia: Politics, Culture, and Marketing - This seminar asks the question that no other seminar dares: Can English culture be cool? (And we're not talking about the weather.) Tony Blair, certainly a new kind of British politician, has made the marketing of the United Kingdom one of the central pieces of his political agenda. We'll explore the ways in which he's gone about this daring (silly) attempt. We'll discuss the idea of national culture and the ways in which marketing ("branding") can shape, re-invent, or communicate that culture. Of course, I hope that our seminar will examine other cultures and the ways in which governments and advertising agencies have (re)shaped cultural identities.
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Spring 2001

Inspiration, Move Me Brightly - How do teachers inspire students to reach beyond themselves? What is the student-teacher relationship such that it is so fragile and yet so powerful? This seminar will explore the nature of the student-teacher relationship. Students' projects will focus on the way teachers (or coaches or clergy) have influenced/inspired them and how the student-teacher relationship can be optimized.

The Beauty of Chess - The basic principles and evolution of the opening, middlegame and endgame will be analyzed through theory, tactics, a myriad of motifs and master games. In particular, the beauty of chess will be explored through the combination. Masters of the present as well as those of yesteryear will be spotlighted and will include Fischer, Kasparov and Morphy. No prior knowledge of chess is assumed.

A Folk History of Alfred - Who was Scholes? Who was Bartlett or Reimer? Who was Harder or Binns or Merrill? Through this Honors Seminar, students will investigate the history of Alfred as a town and Alfred University as an academic institution and the intertwining of the two. Field trips, interviews with long-time local residents, research in the University Archives and other collections, and guest speakers will provide students with a basis for understanding the movements and changes that have made Alfred the unique place that it is.

C.S. Lewis: Thinker and Mythmaker - Although C.S. Lewis is known today mainly for his series for children, The Chronicles of Narnia, he is also the author of literary critical works, philosophical writings, and science fiction. This course will explore how Lewis's philosophical and spiritual ideas shape his fiction for both children and adults. By reading The Screwtape Letters, Out of the Silent Planet, and Suprised by Joy along with the Narnia series, we will explore to what extent Lewis's fiction reflects his concerns in his philosophical works. In addition, we will consider what a less-than-recent author has to say that might be of interest to people living in a less-than-terribly-spiritual age.

Bullhorns, Breastplates and Brunhildes - This is a short course on opera. If you think you hate opera, so did this professor until she started singing in them. Once you have an understanding of where opera came from (history), the inside scoop on the stories, the divas and dons you may become hooked on it. Don't worry, you won't be expected to sing opera at the end of the course (unless you choose to!). The class will view operas on video and live at a performance of Bizet's "Carmen" in Rochester.

Food for Thought - Food is a part of our family histories, our personal tastes, our obsessions, our friendships and our rituals. We would die without it. This course will work as a kind of literacy smorgasbord. We will combine reading food in the form of novels, memoir, poetry, and cookbooks, with writing food in the form of our own narratives, and cooking food from the recipes in our literature (and eating) together.

T'ai Chi: A Way of Life; Part II - This course is intended for the more advanced "beginner" who wishes to complete the learning of the T'ai Chi form, begun in a previous semester. Only those who have completed the semester will be eligible to enroll. As was the practice with T'ai Chi I, the learning of the remaining movements, along with the thorough review of what was previously learned, will be supported by general information and further discussion on the philosophy of T'ai Chi, the energy of "Chi", the internal power of "Jing", and the applicability of T'ai Chi in our lives.

Recent British Cinema - Danny Boyle's Trainspotting (1966), Peter Caltaneo's The Full Monty (1997), and Guy Ritchie's Lock, Stock and Two Smoking Barrels (1998) suggest the re-emergence of Britain as a major player in world cinema. Beginning in 1980, British cinema has experienced something of a revival. We'll examine this twenty-year burst of often eccentric creativity. We'll watch The Long Good Friday, Mona Lisa, Gregory's Girl, Richard III, The Madness of King George, Life is Sweet, and others. Our purpose: to identify the themes, trends, and characteristics of these compelling films.
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Fall 2000

Comedy and Humor - What makes a joke funny? Why are some films hilarious to one person but not to another? What is meant by a "good sense of humor"? Why is laughing considered "therapeutic"? This course will explore the meaning of humor, examining differences between slapstick, aggressive humor, and irony. Students will be asked to bring their favorite comedian (on film or CD) and/or comedy film for analysis and enjoyment. Theoretical discussions and readings related to the psychology of humor will be included.

T'ai Chi - T'ai Chi is away of life that has been practiced by the Chinese for thousands of years. The Chinese conceived the human mind to be an unlimited dimension, but the scope of human activity to be moderate. T'ai Chi evolved through attempts to unify perceptions into a philosophy of how one should live in balance with oneself. This course is intended to introduce T'ai Chi philosophy to the beginning student primarily through its initial movement forms.

The Psychology of Human Sexuality - The Psychology of Human Sexuality has been prepared for every individual who has the desire to learn about his or her own sexuality in a personal, meaningful way. The approach is to help you evaluate attitudes and behaviors that influence your sexuality. This course is intended to bridge the facts and your incorporation of that knowledge into a positive life style.

The Evolution of Blues - In this seminar we will trace the evolution of the blues from folk roots to contemporary styles. In particular, we will analyze the progression from the early, rural sounds of Robert Johnson, Son House, and Memphis Minnie to the 1950's "urban blues" movement led by Muddy Waters, Koko Taylor, and Willie Dixon. We will study the ways in which the styles of the electrified Chicago artists subsequently influenced both the white American rock 'n' rollers of the day and the "British Invasion" groups (e.g., the Rolling Stones, the Yardbirds, and, Led Zeppelin) who came to prominence in the 1960s and '70s. Finally, we will move to more recent times and examine blues sounds, as they are manifest in the music of popular performers including Z.Z. Top, Bonnie Raitt, and Aerosmith.

The Art of Meditation - To practice meditation is to open what is closed, reveal what is hidden, and balance what is reactive in the heart and mind. Amidst the pressures and distractions of academic life, meditation affords a return to the grounds of being and a path to authentic presence. This course will offer practical experience in the art of meditation. Employing the techniques of insight meditation, as taught by Jack Kornfield, and the practice of walking meditation, as taught by Thich Nhat Hanh, we will focus on awareness of posture, breath, movement; mindfulness of feelings, thoughts, and speech; and the transformation of negative states of mind. The themes of our discussions will include impermanence, interdependence, environmental awareness, and the cultivation of compassion.

"Once there was and was not...." A Storytelling Seminar - Storytelling is as "old as the world and as fresh as the rain." From the beginning of time people have discovered where they came from, who they are, and what they might become by sharing stories. The most effective parents, teachers, counselors, business people, politicians, prophets--leaders in all walks of life--have thoroughly understood the power of the right story at the right time. We will explore the world's treasure trove of fable, folktale, myth, and legend and learn how to select, prepare, and tell the stories you discover you cannot live without.

Risky Business - Being 18 or so is a risky business. There are a gazillion reasons why: parents to deal with, teachers and school, not to mention sex, drugs, and rock 'n' roll. Most of all, it is a time of "breaking away." In this seminar we'll take a look at the way these issues have been treated on film. We'll see such American films as Risky Business, Breaking Away, Ferris Bueller's Day Off, American Graffiti, The Breakfast Club, Goodbye, Columbus, Smoke Signals, Heathers, Hoop Dreams, Election, The Last Picture Show, Splendor in the Grass, and Rebel Without a Cause, as well as a couple of foreign films - Francois Truffaut's The Four Hundred Blows and Flirting.

Time Travel - The whole idea of Time Travel is preposterous. If Time Travel were possible, then someone could go back in time and kill her grandmother as a child. Which means the time traveller was never born, which means she couldn't have gone back in time, which means gramma does live and the time traveller is born, so she does go back in time, and gramma does die, which means...You get the idea. Despite the paradoxes, some physicists think time travel may not be impossible. In fact, there is no law of physics that time travel contradicts. And there are even solutions to Einstein's Equations for general relativity which allow time travel to take place. In this class, we will take a look at time travel as portrayed in fiction, and compare these stories to modern time travel theories, producing a web site on the process.
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Spring 2000

A Great Characters Seminar - Strange to say, but we carry a lot of people round with us in our heads and our hearts, both people we've known in our lives and also people we meet in literature. They're the people we think of when we wonder how to handle a situation, or when we consider the human qualities we value, or when we are scared in the dark in the middle of the night. In a sense, other characters are how we know who we are. They are the beating heart at the center of every story. So what makes a character memorable? Who are the enduring characters in our literatures and our lives? How do writers do it? How do writers take words and make someone as clear and real to us as the person next door? In this reading and writing class, we'll explore some of the great literary characters. We'll also develop characters of our own, practicing techniques we learn from Tolstoy, Shakespeare, Harper Lee, Zora Neale Hurston and others.

Imagery and Music - Most people would agree that the Art of Music is a powerful means of expressing human emotions. Have you ever had a song that was "under your skin" -- you couldn't stop playing it or thinking about it? If music is the composer's vehicle of self-expression, exactly what is it in the music that inspires the listener or the performer to emotionally react and identify with the artist? Musical examples from Bach to the Beatles and beyond will be used to explore the answers to these questions.

Living in Space - People have dreamed of living away from the cradle of earth for nearly 150 years. We can't just go to another planet and breathe air, and drink the water, however. We'll have to bring a lot of the materials of life with us, or make them in our new location. In this course, we will treat the Solar system as our home, and design several habitats for people to live in. Where will we live? That's up to you. We will read science fiction with people living in different parts of the solar system, and look at the images coming back from various space probes, and choose some places to live. Working in groups with similar interests, we will design a habitat that takes full advantage of the resources available, and works around the limitations.

The Films of Stanley Kubrick - This seminar will examine the achievements of the late American director Stanley Kubrick, beginning with his first film Fear and Desire (1953) -- available only at the Eastman Library, Rochester, NY-- and ending with his most recent release, Eyes Wide Shut (1999). During the five decades between Kubrick's debut and last exit, he has proven both consistent and diverse at the same time, always focusing on the dark side of human experience, yet radically varying the image from film to film -- from the erotic to warlike, for example, or the realistic to the supernatural, or the extraterrestrial to the down-to-earth. We'll watch and discuss all of Kubrick's films as well as examining a selection of the fictional works he has adapted for the screen.

What was the Grateful Dead? - This seminar will examine the phenomenon of "The Grateful Dead" from its inception in the mid 60's through the mid 90's. What was the Grateful Dead -- a philosophy? a religion? a social movement? -- or simply a few unusual musicians playing some music? We will take a "tour" of the Dead's history, examining the sociological, anthropological, philosophical, and psychological significance of the Grateful Dead in American culture.

Personal and Cultural Identity in Film - There are films that make important and vivid statements about personal and cultural identity. Films such as Chris Eyre's Smoke Signals will be our principal sources in this course. How much of our personal identity is determined by cultural forces? We will do some reading on the nature of cultures and some recent theories on transmitting culture. We will discuss whether or not the concept of culture is itself overworked. But, through all of this the films will be our focus. In addition to thinking about the contents of the films we will discuss why t