Laura Jenels

Bright colors, busy patterns and figural drawings draw the eye in and around the surface of my pottery forms; the vessel is the vehicle that carries my narrative. References and symbols significant to my experience as a bi-racial woman, construct identity and inspire my illustrations. 

Some foods, just like people are not always welcomed; minds are not always open. What is the scale between shame, gluttony and physical sustenance? How does a woman’s relationship with food affect a sense of self and sense of belonging among different communities? The ceramics that comprise this body of work, are distinct representations of myself. Through finding and identifying icons and emotions I translate and curate the surfaces of my pots. The female figure is centered on most vessels, expressing a forlorn or distrustful face. This contrasts the other drawings on the surface, which are typically perceived as more joyful or humorous. Through the use of this juxtaposition, I create a bold and humorous iconography that exposes the viewer to my expression of selfhood. A pattern seen in many Mexican tile works and one that comes from the makers of my culture reoccurs throughout this body of work. 

These vessels are loud and in your face. They are feminine and bold. Pushing against the shame that surfaces in adulthood, this work celebrates a return to a more optimistic and playful space.